a snow of butterflies is brewed in small batches.
empty

A friend asked me my opinion of the iPad, and the answer got rather long, so I thought I'd post it here.

First: I haven't actually used one, so my opinion is based on reading others' thoughts and impressions.

My first take, like a lot of other people's, was that it's "just an oversized iPod touch." I've read a lot about it since then (and found similarities with other emerging devices) and come to agreement with a few observations, of which this post is largely a synthesis.

(Keep in mind, of course, that neither I nor most people who have written about it have actually held an iPad in their hands yet!)

Something like the iPad would be the perfect er, "computer" for my father-in-law, who is overwhelmed by the high-maintenance nature of computers (and who can blame him?). Because it's not a computer in the traditional sense, he doesn't have to wrestle with the file system, or worry about how to install apps, or any of that stuff, in the same sense that we more knowledgeable computer users no longer think about replacing the vacuum tubes or feeding punch cards...

The iPad is one of a small number of new devices that are targeting a non-techie market, rethinking the experience from the ground up, and not bugging the user with details of the operating system. Others in this category include:

It's an exciting time right now: we are witnessing a schism in personal computing, where the "personal" part is going to get a lot less dreadful and a lot more fun, and the "computing" part will virtually disappear, but remain the platform of choice for developers, designers, and deep content creators.

Look what just arrived--Tomorrow's Man has constructed a lovely 28-minute montage of several unreleased Charlie Hoistman ambient tracks:

Tanglesome One (Lushier) by tomorrowsman

Tomorrow's Man - Synths, Keys, Arrangement, Twiddling
Transfixion - Guitar, Bass, etc.
Charlie Hoistman - Rotaters, Orbiters and Slowscapes, initial constructions

Charlie Hoistman track from August of 2009: "Bleakscape"

Bleakscape by Hoist

Just a fun little image I came up with while playing with Sumo Paint, an online image editor.

sumo2.jpg

From the SuperCollider group on SoundCloud (various artists; click the info button for authorship of each track):

A great one-line review of the Heap album at earlab-culture.tumblr.com
'Cos after all, isn't there quite enough Glitch in the world?

Zöe Keating, playing looping improvised ’cello at SFO, New Year’s Eve, 2008:

Batuhan Bozkurt has posted a thoughtful essay on generative art and how it gets/will get disseminated, and talks about his new SuperCollider extension called Molten Master, that facilitates packaging and distribution for collections of generative works.


heap_small.jpgCharlie Hoistman's first official release, Heap, is now available on BandCamp as a free download.

A collection of musical sketches generated with custom software written in SuperCollider, Heap is a delightfully varied but surprisingly cohesive set of miniature aural landscapes, soundtracks to movies of the mind.

Released 29 November 2009. Running time: ~30 minutes.

A new album of SCtweets: SuperCollider compositions designed for Twitter, and thus written in 140 characters of code or less. Curated by Dan Stowell and featuring our own Charlie Hoistman, whose entire contribution is shown here:

Ptpar(({|i|[i*8,Pbind(\scale,[0,2,4,7,9],\degree,Pseq(32.fib.fold(0,10),4)+(2*i+i)-10,\dur,1+2**i%2/6)]}!4).flat).play // #supercollider

Go have a listen. The entire collection is free to download.